The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.
Both ProRes and DNx are robust, easy to edit, color accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and frame rate.
Master your rack with
Shogun Studio 2
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.
ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.
The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.
Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.
The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.
HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder
Please note:
Specifications are subject to change without notice.
All information correct at time of publishing.
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears) |
| Weight | 5.0kg / 11lb |
| Rack height | 3U |
| Mount points | Removable rack ears and desktop feet |
| Dual recorder | Dual Screen, Recorder and switcher |
| Environmental | |
| Ambient operating temperature | Up to 40°C |
| Construction and Control | |
| Body | Aluminium alloy chassis |
| Cooling | Actively controlled fans and Heat Sink |
| Tally light | On front |
| Multi-function button | Trigger dual record |
| Power | |
| Continuous power | Dual PSU |
| DC in connector | Dual IEC C14 |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | Dual 7.2” |
| Resolution | Dual 1920 x 1200 |
| PPI | 327 per screen |
| Bit depth | 10-Bit (8+2 FRC) |
| Backlight Type | Dynamic zoned back light 3", Dynamic Full Array Local Dimming (FALD) 360 Zones |
| Brightness (cdm2 / nits) | 1500 / 3000 Peak HDR brightness |
| Aspect ratio | 16 : 9 |
| Color Gamut | Rec.709 |
| Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format Display Only |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI | Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel |
| SDI RAW | Apples ProRes RAW up to 6k |
| RJ45 / Network | Service Only |
| Bit Depth | 8/10-Bit Video / RAW up to 16-Bit |
| Video Chroma Subsampling | 4:02:02 |
| HDCP copy protection | No supported |
| Metadata | |
| HDMI | RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| SDI | File Name from Arri, RED |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 2 x 12G SDI Backwards compatible Auto detection |
| SDI Play out | 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10-Bit Video |
| Web Streaming | |
| USB UVC | Optional via Connect 4k |
| Video Signal Conversion | |
| HDMI to SDI | Yes – Video and RAW |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
| Audio Quality | 24/48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-Bit, input dependent |
| SDI | 12ch 24-Bit, input dependent |
| Analogue Audio in | 2 x XLR Per recorder channel |
| Analogue Audio Out | 2 x XLR Per recorder channel |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC in/out Record mode |
| Genlock | GenLock in/out Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 6k | RAW Only up to 30p via SDI Only |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC | |
| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, HQ |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | DNxHD 220x,220,145,36 |
| Avid DNxHR | LB, SQ, HQ, HQX. |
| Playback | |
| Playlist | Yes, Create customer play lists from full or sub clips |
| Loop | Yes, with user customisable in / out markers |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record | Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel |
| Switched Program Record | Yes Up to 1080p 60 |
| Multi Input / Switching | |
| SDI A/B toggle | Yes, Up support up to 12G SDI per input |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Input transitions | Auto or manual XML transition |
| Supported media | |
| Master Caddy I | Not compatible |
| SSDmini | Yes, BUT ONLY with optional Grab handle |
| File Naming | Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System | ExFAT |
| On screen tools | |
| Waveform | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| False colour | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
| Safe areas | Action and Graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
| Display Flip | Vertical Only |
| Onboard Signal Processing | |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| RJ45 | Service Only |
| RS422 | Yes, Qualified controllers only |
| Supported Applications | |
| XML | Cut tag EDL and Multcam with transitions in FCPX XML |
| Apple ProRes RAW | Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light. |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 5 x Master caddy II |
| Optional extras | Powerkit, UltraSync One,HDMI cables, USB to serial cable, |
For an attractive quote and to order the product
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