Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool.
Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes. You can even shoot RAW at high frame rates up to HDp240**.
*Panasonic EVA1 **Sony FS Series and EVA1
Amplify the advantages
of shooting RAW
Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing. Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer*
Perfect exposure
and colour
Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.
Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Shogun 7 allows user to record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.
With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.
School Fight Shot
by Jim Marks
How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to cameras already owned by the crew? The team behind action comedy, School Fight, solved this by adding a Shogun 7 to their existing rigs.
View what you’re capturing through your audience’s eyes before filming has even wrapped. Use Shogun 7 to deliver content via a Dolby Vision live HDMI out, in real-time, from any HDR camera to a compatible Dolby Vision HDR TV or monitor. Shogun 7 ensures you see an accurate representation of your video in maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 214 x 127 x 45 |
| Weight | 709g / 25oz. |
| Mount points | 1 x Anti rotation 1/4"-20 top and bottom |
| Environmental | |
| Ambient operating temperature | Up to 40° C |
| Construction and Control | |
| Body | Polycarbonate ABS Plastic |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| Power | |
| Input voltage | 6.2V to 16.8V |
| Operating power | 10 – 33W |
| Compatible batteries | NPF L series |
| Built in battery | No |
| Battery Run time (Record) | 5200mAh – up to 1.5hrs (monitor & record 4K 30p) / 7800mAh – up to 2.2hrs (monitor & record 4K 30p) |
| Continuous power | Dual battery slots |
| DC in connector | DC jack (5.5mm OD 2.1mm ID) |
| Dtap | Via optional D-Tap to DC cable |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 7.2" |
| Resolution | 1920 x 1200 |
| PPI | 327 |
| Bit depth | 10-bit (8+2 FRC) |
| Backlight Type | Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones |
| Brightness (cdm2 / nits) | 1500 / 3000 Peak HDR brightness |
| Aspect ratio | 16:9 Image Display |
| Color Gamut | DCI-P3 (D65) |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR output Conversion | No |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI | Quad link 3G SDI with 2 x 12G SDI (backwards compatible), Auto detection |
| SDI RAW | Apple ProRes RAW up to 6k |
| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
| SDI | File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 2 x 12G SDI Backwards compatible Auto detection |
| SDI Play out | 2 x 12G SDI Backwards compatible Auto detection, Level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10Bit Video |
| Web Streaming | |
| USB UVC | Optional via Connect 4k |
| Video Signal Conversion | |
| HDMI to SDI | Yes – Video and RAW |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
| Audio Quality | 24/48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | XLR via Optional Break out cable |
| Analogue Audio Out | XLR via Optional Break out cable |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | GenLock in Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 6k | RAW Only up to 30p via SDI Only |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC | |
| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, HQ |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | DNxHD 220x,220,145,36 |
| Avid DNxHR | LB, SQ, HQ, HQX. |
| Playback | |
| Playlist | Yes, Create custom playlists from full or sub clips |
| Loop | Yes, with user customisable in / out markers |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record | Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record | Yes Up to 1080p 60 |
| Multi Input / Switching | |
| SDI A/B toggle | Yes, Supports up to 12G SDI per input |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Input transitions | Auto or manual XML transition |
| Supported media | |
| Master Caddy I | Not compatible |
| SSDmini | Yes with optional SSDmini handle |
| CFast II | Supported cards via optional AtomX CFast Adapter |
| File Naming | Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System | ExFAT |
| On screen tools | |
| Waveform | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
| False colour | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
| Safe areas | Action and Graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x,1.8x, 2x |
| Display Flip | Vertical Only |
| Onboard Signal Processing | |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration viaoptional USB to serial cable |
| Supported Applications | |
| XML | Cut tag EDL and Multicam with transitions in FCP XML |
| Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | Shogun 7 unit, Master Caddy II x 1, International power supply, carry case, quick start guide |
| Optional extras | 7" Accessory kit, Sunhood, DC to DTap, Power kit, UltraSync One, HDMI cables, USB to serial cable |
For an attractive quote and to order the product
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