Up to 6K RAW recording
via HDMI and SDI!
The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.
* with compatible cameras.
The robust aluminium 5″ monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.
The Ninja V’s compact 5″ 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.
No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5″ Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.
And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.
| Camera Manufacturer | Compatible cameras (RAW over SDI) |
|
Sony |
FX9 with XDCA-FX9 RAW output at up to 4k DCI p60 and 2k p180 FX6 RAW output up to 4k DCI p60 |
|
Panasonic |
Varicam LT RAW output up to 4k p60 and high frame rate up to 2k p240 EVA-1 RAW output up to 5.7k p30 and high frame rate up to 2k p240 |
|
Canon |
C500mki Both offering RAW up to 4k DCI and 4k UHD at up to p30 |
Note: Sony FS700, FS5 and FS7 are NOT supported.
The flexibility to suit
any production
In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.
Accurate and reliable
daylight viewable HDR or SDR
With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilise the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards
Whilst other monitors might boast a brightness of over 2000nits, the perceptual benefit can be limited. Simply opting for an increased backlight with no regard for the quality of the image can defeat the point in an external monitor. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5” Sunhood. Simply clip on the mount frame and insert the hood, even leave the frame in place to provide added protection for your monitor.
Adding the SDI module to the Ninja V Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.
The Pro Kit offers 3 ways to power your Ninja
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm (Ninja only) |
| Weight | 360g / 12.7oz |
| Mount points | 1 x Anti rotation 1/4" / 3/8 top and bottom |
| Environmental | |
| Ambient operating temperature | Up to 40° Celsius |
| Construction and Control | |
| Body | Aluminium with ABS plastic |
| Cooling | Heat Sink and actively controlled fan with user selectable modes in menu |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| AtomXpansion slot | Yes |
| Power | |
| Input voltage | 6.2V to 16.8V |
| Operating power | 5.8-7.2v |
| Compatible batteries | NPF L series |
| Built in battery | No |
| Battery Run time (Record) | 5200mAh – up to 2hrs (monitor & record 4K 60p)<br/>7800mAh – up to 3hrs (monitor & record 4K 60p) |
| Continuous power | Via Optional AtomX SYNC Module |
| DC in connector | Via DC Jack on Battery eliminator |
| Dtap | via battery eliminator and optional DTap to DC cable (included) |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 5.2" |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Edge lit |
| Brightness (cdm2 / nits) | 1000 |
| Aspect ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log |
| Gamut | BT2020, DCI P3, DCI P3 D65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| HDMI RAW | ProRes RAW up to 6K |
| SDI | 2 x 12G SDI Backwards compatible (Auto detection) via included AtomX SDI module |
| SDI RAW | ProRes RAW up to 6K |
| Bit Depth | 8/10-Bit Video / RAW up to 16Bit |
| Video Chroma Subsampling | 4:2:2 |
| HDCP copy protection | Not supported |
| Metadata | |
| HDMI | RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| SDI | File Name from Arri, RED |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible (Auto detection) via included AtomX SDI module – level A and B selectable |
| SDI Play out | 2 x 12G SDI Backwards compatible (Auto detection) via included AtomX SDI module – level A and B selectable |
| Video Chroma Subsampling | 4:2:2 |
| Bit Depth | 10-bit video |
| Web Streaming | |
| USB UVC | Optional via Connect 4K |
| Video Signal Conversion | |
| HDMI to SDI | Yes – Video and RAW |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
| Audio Quality | 24/48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-bit, input dependent |
| SDI | 12ch 24-bit, input dependent |
| Analogue Audio in | 3.5mm 2ch. |
| Analogue Audio Out | 3.5mm 2ch. |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | via 3.5mm audio Jack input (Requires post processing) |
| Wireless SYNC | Via Optional AtomX SYNC Module |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 6k | RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI) |
| 5k | RAW Only up to 23.98p, 24p, 25p, 29.97p |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p |
| Anamorphic | 3.5k: RAW up to 60p (from supported cameras only) |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC | |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 (Activation required visit my.Atomos.com) |
| Avid DNxHR | LB, SQ, HQ, HQX (Activation required visit my.Atomos.com) |
| H.265 | Optional activation. For more info visit my.Atomos.com |
| Playback | |
| Playlist | Yes, Create custom play lists from full or sub clips |
| Loop | Yes, with user customizable in / out markers |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| H.265 | Yes, recorded clips |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| Timelapse | Yes |
| Multi Input / Switching | |
| SDI A/B toggle | Via menu option to toggle between inputs on optional AtomX SDI module |
| Supported media | |
| Master Caddy I | Not compatible |
| SSDmini | Native Size and Fit |
| CFast II | Supported cards via optional AtomX CFast II Adapter |
| File Naming | Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System | ExFAT |
| On screen tools | |
| MultiScope Analysis View | Yes, 3 size / Position |
| Waveform | Yes, 3 size / position |
| Histogram | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / Mono / edges only |
| False colour | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
| Safe areas | Action and Graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x , 1.5x ,1.8x ,2x |
| Display Flip | Vertical Only |
| Onboard Signal Processing | |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Bluetooth LE | Via AtomRemote app (requires AtomX SYNC module) |
| Wireless RF | via optional AtomX SYNC module |
| External Device Control | |
| Serial 2.5mm Jack | Camera control for supported cameras via Optional USB to Serial Cable |
| Bluetooth LE | Via optional AtomX SYNC module to compatible devices |
| Wireless RF | Via optional AtomX SYNC module to compatible devices |
| Supported Applications | |
| XML | Cut tag EDL in FCP XML |
| Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
| Video Codecs | All Applications with support for ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | Ninja V with SDI RAW Pre-Activated, AtomX SDI module, 1 x Battery eliminator, 1 x international DC power supply, 1 x D-Tap Cable, 1 x AtomX 5” Sunhood, QuickStart Guide |
| Optional extras | Power kit, HDMI cables, USB to serial cable, AtomX SYNC module, AtomX CAST |
For an attractive quote and to order the product
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