The multi-award winning Atomos Ninja V Monitor-Recorder features a stunningly bright 5.2” 10-bit HDR display with 1000nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick – easily attaching to any camera rig.
Ninja V records directly from your camera’s sensor to a wide range of codecs: Apple ProRes, ProRes RAW, Avid DNx and H.265 (HEVC)*.This provides wide compatibility across camera types and edit software, giving you a new degree of creative control long before you press record.
* H.265 is an optional paid activation via my.atomos.com
The Ninja V takes all your creativity and brings it to life in the video you capture, regardless of whether you’re shooting cinematic productions, or vlogs for your social media channel. Whether you shoot HDR or regular SDR. Whether you use a professional cinema camera or a prosumer mirrorless camera.
Ninja V continues to innovate with regular free firmware updates, widely supported ProRes RAW recording, SDI connectivity with AtomX accessories and professional feature activations including H.265 recording.
Control what you see from Capture to SDR/HDR Delivery
Dynamic Range
SDR
HDR
.cube
H.265 Recording
for Ninja V
Ninja V can record using the 10-bit H.265 (HEVC) codec by purchasing the upgrade at my.atomos.com for $99 (USD)
H.265 adds even more versatility to the Ninja V, by adding a high-quality compressed codec option for recording. H.265 codec is used for the final delivery of high quality video projects with very small file sizes. HEVC was specifically created to provide support for UHD HDR deliverables with wide color gamuts, and enables you to easily share and allow play back of HDR content on a wide range of devices.
The latest developments for Ninja V include
with AtomX CAST
Recording°
with selected cameras
Recording°
Ninja V is the ultimate field monitor for the on-the-go film and video creator that values capturing to high quality industry standard codecs for SDR, HDR and next generation content delivery. The Ninja V’s state-of-the-art screen maintains clarity and color in the brightest of conditions and displays the widest dynamic range in HDR.
The unique AtomHDR engine processes the incoming Log/RAW/HDR signals from your camera or device and displays in all its HDR glory on the Ninja V screen. There are matching profiles for a plethora of cameras, with more added as they emerge. Prefer to work in Rec.709? The Ninja V has you covered with the ability to load custom LUTs to match your workflow.
NINJA V
WITH ATOMX SDI
RAW Recording
from SDI Cameras
The AtomRemote app for iOS and macOS provides external controls for NINJA V, and NINJA V+ with AtomX SYNC module. This app enables filmmakers to perform a range of configuration tasks and operations wirelessly up to 15 meters via Bluetooth LE. Input options include the ability to define how the device connects to the camera, select Gamma/EOTF and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, select monitoring modes, apply custom 3D LUTs and analysis tools including exposure and focus. Output controls provide options for 4K to HD and LUT preview and HDR output.
Ninja V takes exactly what your camera sensor is capturing, enhances it and allows you to view and record it in amazing detail. Ninja V gives you the ability to record and instantly playback, review and tag your favourites takes to create playlists. This portable powerhouse gives you complete confidence in what you’re capturing, so you’re free to push creative boundaries more than ever before.
ProRes RAW on
Canon EOS R5 C and Ninja V
The Ninja V supports recording of ProRes RAW up to 6K at up to 30 fps and 3K at up to 60fps from the Canon R5 C mirrorless camera. The EOS R5 C features a new heat dissipation system allows for extended takes and the most demanding production days.
The efficiencies of ProRes RAW make it possible to playback multiple streams of 8Kp30 ProRes RAW simultaneously. This makes it perfect for multicam projects. The built-in LTC input on the EOS R5 C means that it’s also suited for multicamera productions. It can be used with the Atomos UltraSync One, a compact wireless sync device, which can be used to connect and synchronise multiple cameras.
The technology is also compatible with the AtomX SYNC module for the Ninja V/V+. This means you can wirelessly synchronise the EOS R5 C to a range of devices. Coupled with the established Canon EOS lens systems and powerful Servo AF technology, this combination will propel filmmakers to a whole new level in terms of image quality and production value.
The number of cameras which now support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. This format gives filmmakers enormous latitude when adjusting the look of their images, making it ideal for HDR workflows.
Essential accessories for capture, post-production and streaming
The Ninja V offers a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more. Customizable settings & view modes — and instantly clear all overlays with a simple touch of the screen. Take control of your production at capture with Atomos Ninja V.
Waveform
Multi View
False Color
Exposure
Focus Peaking
Customizable
1:1 & 2:1
Zoom
Universally popular, Ninja V ticks more boxes for more filmmakers than any other 5” monitor on the market. And it will only get better. The Ninja V’s features continue to improve and evolve with every new AtomOS release. Not only will additional ProRes RAW capable cameras be supported, other new features are constantly being added for free.
Recent additions include a wider range of frame guides (1:1, 4:5, 1:91:1 and 9:16) – perfect for social media content creation. A nine-grid overlay makes composing using the rule of thirds easy. The addition of an ARRI style false colour scale bolsters Ninja V’s impressive professional credentials.
Lock the shot with Ninja V’s monitoring and composition essentials.
1:1 / 4:5 / 1:91:1 / 9:16
TV / Screen Guides
Composition
SMPTE standards
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 151 x 91.5 x 31 mm |
| Weight | 360g / 12.7oz |
| Mount points | Anti-rotational 3/8-16 screw mount points, 1/4-20 screw mount adaptor installed. 1x top and 1x bottom |
| Environmental | |
| Ambient operating temperature | Up to 40° C |
| Construction and Control | |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Heat Sink and actively controlled fan with user selectable modes in menu |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| AtomXpansion slot | Yes |
| Power | |
| Input voltage | 5.8 – 7.2V (Battery) |
| Operating power | 10-22W |
| Compatible batteries | NP-F L series and supporting accessories |
| Built in battery | No |
| Battery Run time (Record) | 5200mAh – up to 2hrs (monitor & record 4K 60p)7800mAh – up to 3hrs (monitor & record 4K 60p) |
| Battery Run time (Monitor only) | 5200mAh – up to 2hrs (monitor & record 4K 60p). 7800mAh – up to 3hrs (monitor & record 4K 60p) |
| Continuous power | Enabled by optional AtomX SYNC Expansion Module |
| DC in connector | Via DC Jack on Battery Eliminator |
| Dtap | Via Battery Eliminator and optional D-Tap to DC cable |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) calibration to Rec.709 with optional calibration unit |
| Size | 5.2" |
| Resolution | 1920 x 1080 |
| PPI | 423 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Edge lit |
| Brightness (cdm2 / nits) | 1000 |
| Aspect ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log, Panasonic V-Log, JVC J-Log1, Olympus OM-Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG |
| Gamut | Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI P3 / DCI P3+, Nikon NLog, Panasonic V-Gamut, Arri Alexa Wide Gamut, Rec709, BT.2020, FujiFilm F-Gamut, JVC LS300, RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
| 3D LUT Display | .Cube Format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| HDMI RAW | Apple ProRes RAW up to 6K |
| SDI | Optional via AtomX SDI module |
| SDI RAW | Optional with AtomX SDI module + SDI RAW activation |
| Bit Depth | 8/10-bit Video / RAW up to 12-bit |
| Video Chroma Subsampling | 4:2:2 |
| HDCP copy protection | Not supported |
| Metadata | |
| HDMI | RAW – white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut |
| SDI | File name from Arri, RED |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | Optional Via AtomX SDI module |
| SDI Play out | Optional Via AtomX SDI module |
| Video Chroma Subsampling | 4:2:2 |
| Bit Depth | 10-bit Video / 12-bit RAW |
| Web Streaming | |
| USB UVC | Optional via Connect 4K |
| Video Signal Conversion | |
| HDMI to SDI | Optional Via AtomX SDI module |
| SDI to HDMI | Optional Via AtomX SDI module |
| Audio In/Out | |
| Audio Quality | 24-bit 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-bit, input dependent |
| SDI | 12ch 24-bit, input dependent |
| Analogue Audio in | 3.5mm 2ch. |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | via 3.5mm audio Jack input (requires post processing) |
| Wireless SYNC | Via Optional AtomX SYNC Module |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 6k | RAW Only up to 30p via HDMI |
| 5k | RAW Only up to 29.97p via HDMI. |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | Optional via AtomX SDI module |
| Anamorphic | 3.5k: RAW up to 60p (from supported cameras only) |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC | |
| Apple ProRes RAW | ProRes RAW & RAW HQ |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ in 8/10Bit, 4 2 2 and 4 2 0 (Optional activation via my.atomos.com) |
| Playback | |
| Playlist | Yes, create playlists from full or sub clips |
| Loop | Yes, with user customizable in / out markers |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| H.265 | Yes, with Linear PCM audio (once activated) |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| Timelapse | Yes |
| Multi Input / Switching | |
| SDI A/B toggle | via optional AtomX SDI module |
| Supported media | |
| Master Caddy I | Not compatible |
| SSDmini | Native size and fit |
| CFast II | Supported cards via optional AtomX CFast Adapter |
| File Naming | Unit Name – Scene/Shot/Take |
| File System | ExFAT |
| On screen tools | |
| Waveform | Yes, 3 size / position |
| RGB parade | Yes, 3 size / position |
| Vector scope | Yes, 2 size / position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / color / mono / edges only |
| False colour | Yes, with scale |
| Zebra | Yes, adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | Action and Graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
| Display Flip | Vertical Only |
| Onboard Signal Processing | |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony,Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Bluetooth LE | Via AtomRemote app (requires AtomX SYNC module) |
| Wireless RF | via optional AtomX SYNC module |
| External Device Control | |
| Serial 2.5mm Jack | Camera control for supported cameras via Optional USB to Serial Cable |
| Bluetooth LE | via optional AtomX SYNC module to compatible devices |
| Wireless RF | via optional AtomX SYNC module to compatible devices |
| Supported Applications | |
| XML | Cut tag EDL in FCPX XML |
| Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
| Video Codecs | All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | Ninja V, 1 x Battery eliminator, 1 x international DC power supply, 1 x MasterCaddy II and QuickStart Guide |
| Optional extras | 5" Accessory kit, Sunhood, DC to D-Tap, Power Kit, HDMI cables, USB to serial cable, AtomX SYNC module, AtomX SDI module, AtomX CAST module |
For an attractive quote and to order the product
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