NEON provides a true Standard Dynamic Range (SDR) Broadcast Video Monitor (BVM) reference and includes tools to support accurate calibration to the Rec.709 standard with calibrated 100nit peak luminance and D65 white point. At the press of a button the NEON switches modes to provide a stunning High Dynamic Range (HDR) preview with support for both HLG and PQ formats.
The DCI 4K display of the NEON 24 features a best-in-class, stunningly bright panel with 0.002nit minimum luminance to 1000nit peak luminance over the whole screen, Super Wide Vision viewing angle (178 degrees >10%) and a matte finish to minimize glare and reflections. This ensures that the NEON is equally at home in the controlled environment of the edit suite or on location in the middle of the day.
Equally at home in-studio or on-set.
Dynamic Contrast
Monitoring
Conversion
4K Resolution
Patrick Wilcox of Los Angeles-based Colorways.tv utilizes the NEON to manage color pipeline on every production from set all the way through post-production. The device has proved to be so successful in this role that Colorways.tv now send a NEON to remote collaborators to ensure every team member sees the same color no matter their role.
Whether a project is SDR or HDR the NEON can be configured to match camera acquisition settings or defined delivery standards including Rec.709, Rec.2100 HLG and PQ (ST.2084). When monitoring with NEON color stays consistent at every stage of the production pipeline. This ensures that images look their absolute best with no unexpected surprises during the shoot, the edit, the grade, or quality control (QC).
NEON features native support for the DCI-P3 (P3) gamut, which encompasses the Rec.709 gamut. Images in BT.2020 gamut will display the up to P3, or can be transformed to P3 by using an appropriate LUT. The built-in Camera LOG settings allow for the transform of the camera output into a display color space. There are 8 LUT slots where a 3D LUT can be loaded to apply custom transformations for any HDR or SDR images. There’s additional control on the downstream feed to other devices, however NEON does not offer conversion between HDMI and SDI.
The NEON series offers control via a robust, tactile Button Bar and AtomRemote an app. The Button Bar features back-illuminated buttons and an extendible control cable. Button Bar control options include the ability to select the input mode, choose the color space, apply 3D LUTs, and manage playback.
The AtomRemote app is available for macOS and iOS devices. Its easy-to-use interface provides access to more advanced settings such as camera gamma/gamut settings, as well as the ability to control recording, playback, and the loading of 3D LUTs.
The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. Both devices support HD (1080) up to 120fps via HDMI and 4K (DCI) up to 60fps. Both devices feature 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2Kp60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite.
HDMI sources without HDCP are supported at 4K up to 60fps or HD up to 120fps with up to 8 channels of audio and detection of HDR info frame to automatically match the input signal type.
Each recording can be reviewed instantly directly on the NEON without need to off-load media. Files are captured as 10-bit 422 to industry standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming including rich metadata that can be used by editing software or asset management solution for orchestration.
Essential monitoring tools
at your fingertips
Waveform Monitors
Offer Luma Parade, RGB parade and Vector Scope to monitor levels with specific graticule scales across input EOTFs.
Pixel Zoom
Allows operators to punch in to check shots for focus or aspects of the detail with pan and scan around the image.
Focus Peaking
Color, Mono and edges only enable easy focus pulls or shot selection. Traditionally used on set but also ideal when reviewing shot selects.
False color
Exposure check and analysis. can be used in both production and post to set exposure or identify areas that may need to be painted down with power windows.
Neon offers a variety of broadcast frame guides with the option to EBU R95 Graphic and Action safe areas can be enabled. Cinematic guides are also available and can all be used alongside the anamorphic de-squeeze mode with support for 2x, 1.5x and 1.33x to allow you to match a wide variety of lenses.
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 594 x 339.7 x 72.5mm |
| Weight | 8.6kg / 18.95lb |
| Mount points | Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. Kensington lock on rear and lock down point on feet |
| VESA mount | 100 x 100 |
| Environmental | |
| Ambient operating temperature | Up to 40° C (1000Nits Full screen limited to 25° C ) |
| Construction and Control | |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | On rear |
| Multi-function button | Power / Pair remote |
| Master control unit (MCU) | Yes, Field replaceable |
| Power | |
| Compatible batteries | AtomX NEON battery system by Core SWX |
| DC in connector | 6 pin locking push/pull connector |
| Display | |
| Size | 24" |
| Resolution | 4096 x 2160 |
| Viewing angle | Super Wide Vision 178 Degrees >10% |
| Screen coating | Matte Anti Glare & reflection |
| PPI | 192 |
| Bit depth | True 10-Bit |
| Backlight Type | Dynamic Full Array Local Dimming (FALD) 512 Zones |
| Brightness (cdm2 / nits) | Up to 1000 Full Screen and 1200 Nits Peak HDR |
| Black Level (cdm2 / nits) | 0.002 |
| Aspect ratio | 17:9 |
| De-interlace mode | Yes, Graphic burning protection |
| Color Gamut | DCI-P3 (D65) |
| Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | Bt2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format Display Only |
| Monitoring Modes | SDR, 3D LUT, HDR |
| HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| HDMI RAW | No – RAW not supported |
| SDI | 2 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module |
| SDI RAW | No – RAW not supported |
| Bit Depth | 8/10-Bit Video |
| Video Chroma Subsampling | 4:2:2 |
| HDCP copy protection | Not supported |
| Metadata | |
| SDI | File Name from Arri, RED |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module – level A and B selectable |
| SDI Play out | 2 x 12G SDI Backwards compatible Autodetection AtomX SDI module – level A and B selectable |
| Video Chroma Subsampling | 4:2:2 |
| Bit Depth | 10Bit Video |
| Web Streaming | |
| USB UVC | Optional via Connect 4k |
| Audio In/Out | |
| Audio Quality | 24/48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-Bit, input dependent |
| SDI | 12ch 24-Bit, input dependent |
| Analogue Audio in | 3.5mm 2ch. |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | via 3.5mm audio Jack input (Requires post processing) |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
| Recording CODEC | |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | DNxHD 220x,220,145,36 |
| Avid DNxHR | LB, SQ, HQ, HQX. |
| Playback | |
| Loop | Yes, Entire clip |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
| Multi Input / Switching | |
| SDI A/B toggle | Via included AtomX SDI module |
| Supported media | |
| Master Caddy I | Not compatible |
| SSDmini | Native Size and Fit |
| CFast II | Supported cards via optional AtomX CF Adapter |
| File Naming | Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System | ExFAT |
| On screen tools | |
| Waveform | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / Mono / edges only |
| False colour | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Safe areas | Action and Graphic |
| Anamorphic desqueeze | 1.33x , 1.5x ,1.8x ,2x |
| Onboard Signal Processing | |
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Bluetooth LE | iOS Atom Remote and future Mac OS release |
| External Device Control | |
| Serial 2.5mm Jack | BBRCU Button Bar remote control – Future product release |
| Bluetooth LE | iOS Atom Remote and future Mac OS release |
| Supported Applications | |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | NEON 24 Monitor, NEON Master Control Unit, 2 x Feet (inc. mount screws x 2), NEON Quick Start Guide, 1 x Master Caddy II (inc. screws), 19V AC Power Adapter with mount cage, AtomX SDI Expansion Module, Monitor Protective Sheath, MCU Protective Sheath, Hex Wrench. |
| Optional extras | HPRC Hard case |
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