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Ninja V+ Pro Kit

The next level

The Ninja V+ Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. With all the power of the Ninja V+ for 8Kp30, the Pro Kit adds 4Kp120 and 2Kp240 continuous recording via SDI. The Ninja V+ takes advantage of new Atomos Silicon AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.

Ninja V+ Pro Kit and 4Kp120

The Ninja V+ Pro Kit comes packed with camera accessories and enables 4Kp120 ProRes RAW recording mode from the SDI RAW output of the Sony, FX9* and FX6. Both Atomos and Sony users will now be able to experience the benefits of working with images at a high frame rate and resolutions, whilst recording in pristine ProRes RAW.

*The FX9 requires the XDCA-FX9 Extension unit

Ninja V+ Pro Kit and 4Kp120

Professional Accessories

Combined with the AtomX SDI module and some serious tuning under the hood, the Pro Kit provides the ability to record RAW over SDI from some of the best compact cinema cameras on the market. No RAW, no problem. The Ninja V+ monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder.

Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig, and can also use a battery eliminator for studio power. Pro Kit also includes a AtomX 5” Sunhood providing increased monitoring options outdoors and reduced ambient light for when monitoring in HDR.

SDI

Powerful & versatile I/O

Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide off board 10-bit 422 recording in edit ready codecs or as proxy files from RED or ARRI cameras allowing the file naming and timecode to also be applied to the recorded files. And of course, the Ninja V+ also provides support for RAW over HDMI from our ever-growing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E2 Series, Nikon Z Series, LUMIX S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.

The Flexibility to Suit any Production

In playback mode the Ninja V+ Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.

HDMI-to-SDI cross conversion

Adding the SDI module to the Ninja V+ Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

The ProRes RAW Advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

The Pro Kit offers 3 ways

to power your Ninja V+

• In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V+ and with the international power plugs you’ll be covered wherever your work might take you.

• On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.

• On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.

Ninja V+ Pro Kit

What’s in the box?

Ninja V+ unit (RAW over SDI Pre-Activated), H.265 (HEVC) codec Pre-Activated, AtomX SDI module, EVA Carry Case, 5″ Slip Case, Battery Eliminator, International DC Power Supply, 1 x Master Caddy II, 1 x DTap Cable, 1 x AtomX 5″ Sunhood, Quick Start Guide.

Ninja V+ Pro Kit

Available July 2021

Physical Specifications
Dimensions (W x H x D mm) 151 x 91.5 x 31mm (Ninja only)
Weight 360g / 12.7oz
Mount points 1 x Anti rotation 1/4" / 3/8 top and bottom
Environmental
Ambient operating temperature Up to 40°C
Construction and Control
Body Aluminium with ABS plastic
Cooling Heat Sink and actively controlled fan with user selectable modes in menu
Tally light Rear and front
Multi-function button Power / lock screen
AtomXpansion slot Yes
Power
Input voltage 6.2V to 16.8V
Operating power 5.8-7.2V
Compatible batteries NPF L series
Built in battery No
Battery Run time (Record) 5200mAh – up to 2hrs (monitor & record 4K 60p)<br/>7800mAh – up to 3hrs (monitor & record 4K 60p)
Continuous power Via Optional AtomX SYNC Module
DC in connector Via DC Jack on Battery Eliminator
Dtap Battery Eliminator and D-Tap to DC cable (included)
Display
Touchscreen SuperAtom IPS panel (capacitive touch)
Size 5.2"
Resolution 1920 x 1080px
PPI 427
Bit depth 10-bit (8+2 FRC)
Backlight Type Edge lit
Brightness (cdm2 / nits) 1000
Aspect ratio 16:9
Color Gamut Rec.709
Calibration support Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log
Gamut BT2020, DCI P3, DCI P3 D65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format
3D LUT Output Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ / Dolby Vision
Video Input
HDMI 1 x HDMI (2.0) 4Kp60
HDMI RAW ProRes RAW up to 8Kp30
SDI 2 x 12G SDI Backwards compatible (Auto detection) via included AtomX SDI module
SDI RAW Yes ProRes RAW up to 6K (NOTE: Sony FS700, FS5, FS7 supported from 10.71)
Bit Depth 8/10-bit Video / RAW up to 16-bit
Video Chroma Subsampling 4:2:2
HDCP copy protection Not supported
Metadata
HDMI RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI File name via SDI for Arri and RED
Video Output
HDMI 1 x HDMI (2.0) 4Kp60
SDI loop out 1 x 12G SDI via included AtomX SDI module – level A and B selectable
SDI Play out 2 x 12G SDI via included AtomX SDI module – level A and B selectable
Video Chroma Subsampling 4:2:2
Bit Depth 10-bit video
Web Streaming
USB UVC Optional via Connect 4K
Video Signal Conversion
HDMI to SDI Yes – Video and RAW
SDI to HDMI Yes – Video and RAW
Audio In/Out
Audio Quality 24/48KHz
Audio Codec PCM
HDMI 8ch 24-bit, input dependent
SDI 12ch 24-bit, input dependent
Analogue Audio in 3.5mm 2ch.
Analogue Audio Out 3.5mm 2ch.
Headphone out 3.5mm 2ch.
Timecode / Sync
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC via 3.5mm audio Jack input (Requires post processing)
Wireless SYNC Via Optional AtomX SYNC Module
Resolution and Frame Rates (Record, Monitor & Playback)
8k RAW Only up to 30p via HDMI
6k RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)
5k RAW Only up to 30p via HDMI
4k DCI 23.98/24/25/29.9/30/50/59.94/60p – HFR 100/120 via RAW over HDMI & SDI on selected cameras
4k UHD 23.98/24/25/29.97/30/50/59.94/60p – HFR 100p/120p via RAW over SDI on selected cameras
2K DCI 2046 x 1080 23.98/24/25/29.97/30/50/59.94/60p – HFR 100p/120p/200p/240p via RAW over SDI. HFR 100p/120p over HDMI on selected cameras
Anamorphic 3.5K: RAW up to 60p (from supported cameras only)
FHD 1920 x 1080 Progressive 23.98/24/25/29.97/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 50/59.94/60i
1280 x 720p 50/59.94/60p
Recording CODEC
Apple ProRes RAW ProRes RAW, ProRes RAW HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD DNxHD 220x, 220, 145, 36 (Activation required visit my.Atomos.com)
Avid DNxHR LB, SQ, HQ, HQX. (Activation required visit my.Atomos.com)
H.265 LQ, MQ, HQ in 8/10-bit, 4 2 2 and 4 2 0
Playback
Playlist Yes, create custom playlists from full or sub clips
Loop Yes, with user customizable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
H.265 Yes, recorded clips (Activation required visit my.Atomos.com)
Recording functions
Pre-roll record Yes (HD 8s, 4K 2s) – Not available in RAW
Timelapse Yes
Multi Input / Switching
SDI A/B toggle Via menu option to toggle between inputs on optional AtomX SDI module
Supported media
Master Caddy I Not compatible
SSDmini Native Size and Fit
CFast II Via Supported cards via optional SSDmini CFAST II Adapter
File Naming Scene, Shot, Take / File name via SDI for Arri and RED
File System ExFAT
On screen tools
MultiScope Analysis View Yes, 3 size / Position
Histogram Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4K
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour / Mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides 9:16, 1:1, 191:1, 4:5
Safe areas Action and Graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip Vertical Only
Onboard Signal Processing
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out – 4K UHD to FHD
DCI Crop Loop out – 17:9 to 16:9 Crop
Remote control
HDMI Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration via optional USB to serial cable
Bluetooth LE Via AtomRemote app (requires AtomX SYNC module)
Wireless RF via optional AtomX SYNC module
External Device Control
Serial 2.5mm Jack Camera control for supported cameras via optional USB to Serial Cable
Bluetooth LE Via optional AtomX SYNC module to compatible devices
Wireless RF Via optional AtomX SYNC module to compatible devices
Supported Applications
XML Cut tag EDL in FCP XML
Apple ProRes RAW Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs All applications with support for ProRes and Avid DNX in .MOV wrapper
What’s in the box
Accessories included Ninja V+ unit (RAW over SDI Pre-Activated), H.265 (HEVC) codec Pre-Activated, AtomX SDI module, EVA Carry Case, 5″ Slip Case, Battery Eliminator, International DC Power Supply, 1 x Master Caddy II, 1 x DTap Cable, 1 x AtomX 5″ Sunhood, Quick Start Guide.
Optional extras Power kit, HDMI cables, USB to serial cable, AtomX SYNC module, AtomX CAST
Warranty
Standard 1 year. Extended to 3 years on product registration
Target use / User
Mirrorless Cameras Mirrorless cameras, compact cinema cameras, cinema, director monitor, games capture, streaming, pro video, gimbal, crane, hobbyist, wedding videographer

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