The Ninja V+ Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. With all the power of the Ninja V+ for 8Kp30, the Pro Kit adds 4Kp120 and 2Kp240 continuous recording via SDI. The Ninja V+ takes advantage of new Atomos Silicon AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.
The Ninja V+ Pro Kit comes packed with camera accessories and enables 4Kp120 ProRes RAW recording mode from the SDI RAW output of the Sony, FX9* and FX6. Both Atomos and Sony users will now be able to experience the benefits of working with images at a high frame rate and resolutions, whilst recording in pristine ProRes RAW.
*The FX9 requires the XDCA-FX9 Extension unit
Combined with the AtomX SDI module and some serious tuning under the hood, the Pro Kit provides the ability to record RAW over SDI from some of the best compact cinema cameras on the market. No RAW, no problem. The Ninja V+ monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder.
Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig, and can also use a battery eliminator for studio power. Pro Kit also includes a AtomX 5” Sunhood providing increased monitoring options outdoors and reduced ambient light for when monitoring in HDR.
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide off board 10-bit 422 recording in edit ready codecs or as proxy files from RED or ARRI cameras allowing the file naming and timecode to also be applied to the recorded files. And of course, the Ninja V+ also provides support for RAW over HDMI from our ever-growing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E2 Series, Nikon Z Series, LUMIX S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.
In playback mode the Ninja V+ Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.
Adding the SDI module to the Ninja V+ Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.
ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.
The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.
Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.
The Pro Kit offers 3 ways
to power your Ninja V+
• In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V+ and with the international power plugs you’ll be covered wherever your work might take you.
• On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.
• On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.
Ninja V+ unit (RAW over SDI Pre-Activated), H.265 (HEVC) codec Pre-Activated, AtomX SDI module, EVA Carry Case, 5″ Slip Case, Battery Eliminator, International DC Power Supply, 1 x Master Caddy II, 1 x DTap Cable, 1 x AtomX 5″ Sunhood, Quick Start Guide.
Ninja V+ Pro Kit
Available July 2021
Physical Specifications | |
---|---|
Dimensions (W x H x D mm) | 151 x 91.5 x 31mm (Ninja only) |
Weight | 360g / 12.7oz |
Mount points | 1 x Anti rotation 1/4" / 3/8 top and bottom |
Environmental | |
Ambient operating temperature | Up to 40°C |
Construction and Control | |
Body | Aluminium with ABS plastic |
Cooling | Heat Sink and actively controlled fan with user selectable modes in menu |
Tally light | Rear and front |
Multi-function button | Power / lock screen |
AtomXpansion slot | Yes |
Power | |
Input voltage | 6.2V to 16.8V |
Operating power | 5.8-7.2V |
Compatible batteries | NPF L series |
Built in battery | No |
Battery Run time (Record) | 5200mAh – up to 2hrs (monitor & record 4K 60p)<br/>7800mAh – up to 3hrs (monitor & record 4K 60p) |
Continuous power | Via Optional AtomX SYNC Module |
DC in connector | Via DC Jack on Battery Eliminator |
Dtap | Battery Eliminator and D-Tap to DC cable (included) |
Display | |
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 5.2" |
Resolution | 1920 x 1080px |
PPI | 427 |
Bit depth | 10-bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 1000 |
Aspect ratio | 16:9 |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log |
Gamut | BT2020, DCI P3, DCI P3 D65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format |
3D LUT Output | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
Video Input | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
HDMI RAW | ProRes RAW up to 8Kp30 |
SDI | 2 x 12G SDI Backwards compatible (Auto detection) via included AtomX SDI module |
SDI RAW | Yes ProRes RAW up to 6K (NOTE: Sony FS700, FS5, FS7 supported from 10.71) |
Bit Depth | 8/10-bit Video / RAW up to 16-bit |
Video Chroma Subsampling | 4:2:2 |
HDCP copy protection | Not supported |
Metadata | |
HDMI | RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
SDI | File name via SDI for Arri and RED |
Video Output | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
SDI loop out | 1 x 12G SDI via included AtomX SDI module – level A and B selectable |
SDI Play out | 2 x 12G SDI via included AtomX SDI module – level A and B selectable |
Video Chroma Subsampling | 4:2:2 |
Bit Depth | 10-bit video |
Web Streaming | |
USB UVC | Optional via Connect 4K |
Video Signal Conversion | |
HDMI to SDI | Yes – Video and RAW |
SDI to HDMI | Yes – Video and RAW |
Audio In/Out | |
Audio Quality | 24/48KHz |
Audio Codec | PCM |
HDMI | 8ch 24-bit, input dependent |
SDI | 12ch 24-bit, input dependent |
Analogue Audio in | 3.5mm 2ch. |
Analogue Audio Out | 3.5mm 2ch. |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Time of day | Yes, Time and Date |
LTC | via 3.5mm audio Jack input (Requires post processing) |
Wireless SYNC | Via Optional AtomX SYNC Module |
Resolution and Frame Rates (Record, Monitor & Playback) | |
8k | RAW Only up to 30p via HDMI |
6k | RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI) |
5k | RAW Only up to 30p via HDMI |
4k DCI | 23.98/24/25/29.9/30/50/59.94/60p – HFR 100/120 via RAW over HDMI & SDI on selected cameras |
4k UHD | 23.98/24/25/29.97/30/50/59.94/60p – HFR 100p/120p via RAW over SDI on selected cameras |
2K DCI 2046 x 1080 | 23.98/24/25/29.97/30/50/59.94/60p – HFR 100p/120p/200p/240p via RAW over SDI. HFR 100p/120p over HDMI on selected cameras |
Anamorphic | 3.5K: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive | 23.98/24/25/29.97/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced | 50/59.94/60i |
1280 x 720p | 50/59.94/60p |
Recording CODEC | |
Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
Apple ProRes | LT, 422, 422HQ |
Avid DNxHD | DNxHD 220x, 220, 145, 36 (Activation required visit my.Atomos.com) |
Avid DNxHR | LB, SQ, HQ, HQX. (Activation required visit my.Atomos.com) |
H.265 | LQ, MQ, HQ in 8/10-bit, 4 2 2 and 4 2 0 |
Playback | |
Playlist | Yes, create custom playlists from full or sub clips |
Loop | Yes, with user customizable in / out markers |
Apple ProRes Raw | Yes, recorded clips |
Apple ProRes | Yes, with Linear PCM audio |
Avid DNx | Yes, with Linear PCM audio |
H.265 | Yes, recorded clips (Activation required visit my.Atomos.com) |
Recording functions | |
Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
Timelapse | Yes |
Multi Input / Switching | |
SDI A/B toggle | Via menu option to toggle between inputs on optional AtomX SDI module |
Supported media | |
Master Caddy I | Not compatible |
SSDmini | Native Size and Fit |
CFast II | Via Supported cards via optional SSDmini CFAST II Adapter |
File Naming | Scene, Shot, Take / File name via SDI for Arri and RED |
File System | ExFAT |
On screen tools | |
MultiScope Analysis View | Yes, 3 size / Position |
Histogram | Yes, 3 size / Position |
RGB parade | Yes, 3 size / Position |
Vector scope | Yes, 2 size / Position |
1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
2 x Zoom | Yes |
Focus peaking | Colour selected / threshold setting / colour / Mono / edges only |
False colour | Yes, with Scale |
Zebra | Yes, Adjustable |
Isolate color channel | Blue Only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 grid |
Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip | Vertical Only |
Onboard Signal Processing | |
Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
DCI Crop | Loop out – 17:9 to 16:9 Crop |
Remote control | |
HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
Bluetooth LE | Via AtomRemote app (requires AtomX SYNC module) |
Wireless RF | via optional AtomX SYNC module |
External Device Control | |
Serial 2.5mm Jack | Camera control for supported cameras via optional USB to Serial Cable |
Bluetooth LE | Via optional AtomX SYNC module to compatible devices |
Wireless RF | Via optional AtomX SYNC module to compatible devices |
Supported Applications | |
XML | Cut tag EDL in FCP XML |
Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs | All applications with support for ProRes and Avid DNX in .MOV wrapper |
What’s in the box | |
Accessories included | Ninja V+ unit (RAW over SDI Pre-Activated), H.265 (HEVC) codec Pre-Activated, AtomX SDI module, EVA Carry Case, 5″ Slip Case, Battery Eliminator, International DC Power Supply, 1 x Master Caddy II, 1 x DTap Cable, 1 x AtomX 5″ Sunhood, Quick Start Guide. |
Optional extras | Power kit, HDMI cables, USB to serial cable, AtomX SYNC module, AtomX CAST |
Warranty | |
Standard | 1 year. Extended to 3 years on product registration |
Target use / User | |
Mirrorless Cameras | Mirrorless cameras, compact cinema cameras, cinema, director monitor, games capture, streaming, pro video, gimbal, crane, hobbyist, wedding videographer |
For an attractive quote and to order the product
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